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Film | The Reelist
Gasp-Powered
Real surprises are rare at the movies these days. Even though I see most films before they’re released, it seems I always know something about a movie before I go in — eit...
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Film | The Reelist
Quick Connections
The E Street Cinema’s program of Oscar-nominated shorts (running through Feb. 14) is an annual highlight of this film-dreary time of year. I’ve always had a soft spot for ...
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Film | The Reelist
Mob Drama
“West of Memphis,” the new documentary on the West Memphis Three, shows what happens when fear becomes the driving force in a criminal case rather than, you know, evidence...
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Film | The Reelist
End of Life Is Beautiful
I walked into Michael Haneke’s “Amour” expecting to walk out an emotional wreck. The film — which screened in D.C. last week and, probably thanks to its Oscar nominati...
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Film | The Reelist
Oscar Noms: My First Take
The Academy Award nominations were announced Thursday, meaning we can now all pretend we’re not in the middle of this horrible, desolate, bad-movie wasteland by talking abou...
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Film | The Reelist
The Kids Are Meh
If you start a band in a movie, the following things will happen: You’ll have to replace someone early on. You’ll practice cover songs in someone’s parents’ basement o...
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Film | The Reelist
Love, Surprisingly
I bet you weren’t expecting the best moment of your life. Bet your worst caught you off guard, too. Life’s surprises are what the extraordinary “Rust and Bone” ...
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Film | The Reelist
A Long, Strange Cinematic Trip
“The Hobbit” has some flaws. There are a lot of flashbacks, some of which serve no real purpose, and there is a lot of silent glowering, all of which serves no real purpos...
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Film | The Reelist
It Isn’t Romantic
First off, I have not seen “Playing for Keeps,” which opens Friday, in spite of the fact that it features Gerard Butler using his actual Scottish accent and I will do near...
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Film | The Reelist
Matinee Idling
I have the world’s best job, but December kills me. First, there are all the Oscar-bait releases, which are often an embarrassment of riches. And then there are all the earl...
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Film | The Reelist
‘Karenina’ Anew
In graduate school, I was subjected to a lot of experimental films that were both important to the development of cinema as an art form and so excruciatingly boring that I bec...
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Film | The Reelist
Shaking Things Up
When I was in graduate school and felt the need to seem pretentious (which was a lot), I’d offhandedly say, “Oh, I’m a genre theorist.” Technically, it was true — mo...
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Film | The Reelist
Acting Accordingly
I would not want to be a leading actor with Oscar dreams this year. Dwight Henry (“Beasts of the Southern Wild”) and Jake Gyllenhaal (“End of Watch”) turned in perform...
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Film | The Reelist
Not So Petty Theft
Simon, the teen in Swiss indie “Sister,” out today, is as hard-core a capitalist as probably anyone you’ll find in “Atlas Shrugged Part II” (which is also out now, t...
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Film | The Reelist
It Ain’t Pretty
“How to Survive a Plague” has had its D.C. release date moved back what feels like 15 or 20 times. I conducted my interview with the director last spring, and with every d...







